16 November 2011
Self Death
Soulmate, dividend.
Lover of nothing, liver
of life leaving, daughter
of Ungoliant and Nought. Yet
leeching sweetness
from the air.
Such is the toothache's will.
Supplanting
the patriotic devices
of Enlightenment with
magic, we are a well-fed
throng of penitents; livery lifters,
india ink drinkers,
takers of popped-off buttons
from the half-pint mason jar
where things like that are kept.
Absurdity quadrupled,
love leavened,
maven exemplified
unto unintentional self death.
Labels:
poem
08 November 2011
Fruit Flies in the Bathroom
Not cleanliness
nor it's long absence.
Fruit swoll
with sweetness,
time tacked
to ripeness
and is temporal
and attendant
what,
flocking up to greet you,
in threes, bodies balloons
of sickly orange-green.
Small, yet antiseptic
forces
brought to bear
there
and there and there.
Until orderliness gives
way
to fruit flies in the bathroom.
Labels:
poem
27 October 2011
the New Poem
I would employ a tool would and make work
but have pause to think.
Sweet-corn silk
riven into furrows or salt.
Situated that new poem
on a walk
over a berm of cold
soil and husks. And
it is presumably
still going.
Whether the prospectuses
piled upon themself
is not bellwether
yet.
Whether the cloud kept
riding the horizon, &
saucily laid the far side
waste in rain
shadows, tumbling,
drawn over that round side
past the last door on left
is a real mess.
Feeding young
is feeling deft as if
the obstacle course life
climbed out
of card tables and casserole
dishes. And of the appeal
of the cold porch.
Labels:
poem
12 June 2011
a Mountain Slope
If feeling eggs
and sowing oats
and nationalism for it's sake
green growth
triangle accident. Not
falling down a mountain slope
but not climbing fully up it.
and sowing oats
and nationalism for it's sake
green growth
triangle accident. Not
falling down a mountain slope
but not climbing fully up it.
Labels:
poem
19 April 2011
Sapphat
Sapphat, latinate
greek which broke.
And lo did this day
and week not go off.
Turn of the fruit. Dark
in at you. Apples as
fast as will. Branch
which, poem. Where
at most there is an
out in animals; it goes.
The story to leave is
not completely. Returned
a true loving-sense.
Talks of a down fighting
word. Feels experience
broken. Story turned,
love leaving. To paraphrase,
say the sharpest thing
quietly. Parting from
friend and teacher
of which an emotion
is the opposite. Standard
usage refers to this passage,
meaning doubled. Terribly
we have multiple meanings:
deep feelings, all the
possibilities there is,
great sadness superimposed,
this compressed, no way
out but separate intent.
Girls has been speaking
love we had. Neck and touch,
girls loose, comfort and
tearfulness mixed. This
. . . .lovingness, unknown
which is good. Pointed, her.
Whereas young boy aright
pleasures, as equals, by
a society their own. So
shown as knit. And even
awareness, which pitches.
greek which broke.
And lo did this day
and week not go off.
Turn of the fruit. Dark
in at you. Apples as
fast as will. Branch
which, poem. Where
at most there is an
out in animals; it goes.
The story to leave is
not completely. Returned
a true loving-sense.
Talks of a down fighting
word. Feels experience
broken. Story turned,
love leaving. To paraphrase,
say the sharpest thing
quietly. Parting from
friend and teacher
of which an emotion
is the opposite. Standard
usage refers to this passage,
meaning doubled. Terribly
we have multiple meanings:
deep feelings, all the
possibilities there is,
great sadness superimposed,
this compressed, no way
out but separate intent.
Girls has been speaking
love we had. Neck and touch,
girls loose, comfort and
tearfulness mixed. This
. . . .lovingness, unknown
which is good. Pointed, her.
Whereas young boy aright
pleasures, as equals, by
a society their own. So
shown as knit. And even
awareness, which pitches.
Labels:
poem
31 March 2011
Consonance
Seemingly sea, ipecac river.
"Mother, I am a ditherer."
"Lifted the livery from the livid;
said: 'Ecstatic: Look At.',"
which was of course titular
and yet less florid rosacea than
sitting in a bath of epsom.
If I could whet some moderate
mess in the corner, raise an ear
—yes, sound a clarion
of hops and ash; only.
If I weatherer, never near. But
for offal, bed sores, consonance.
"Mother, I am a ditherer."
"Lifted the livery from the livid;
said: 'Ecstatic: Look At.',"
which was of course titular
and yet less florid rosacea than
sitting in a bath of epsom.
If I could whet some moderate
mess in the corner, raise an ear
—yes, sound a clarion
of hops and ash; only.
If I weatherer, never near. But
for offal, bed sores, consonance.
Labels:
poem
16 February 2011
15 December 2010
the Compromise
Yes, this is a perfect life,
bubbling plasticene strife.
If immolation, it is a slow
one. "Maybe the hectare further,"
to "or at least mental absentia
turned to much sleep." in the interim.
The cul-de-sac is indignant, yes.
"Maybe there is a third side
of life." The reaffixed bonnet's
bundled under. It is quite cold.
Met you when I'd come to on
the waning half. Picture this;
me, maybe fiveteen percent to
ineptitude with a nosegay of irises.
Let's compromise: you can have
the whole city if I can die.
Compartmentalize, obfuscate, lie
to yourself and everyone else. Skin
spate when there is a shortage
of flesh. Flash mate when
it is dark and we have strobing eyes.
bubbling plasticene strife.
If immolation, it is a slow
one. "Maybe the hectare further,"
to "or at least mental absentia
turned to much sleep." in the interim.
The cul-de-sac is indignant, yes.
"Maybe there is a third side
of life." The reaffixed bonnet's
bundled under. It is quite cold.
Met you when I'd come to on
the waning half. Picture this;
me, maybe fiveteen percent to
ineptitude with a nosegay of irises.
Let's compromise: you can have
the whole city if I can die.
Compartmentalize, obfuscate, lie
to yourself and everyone else. Skin
spate when there is a shortage
of flesh. Flash mate when
it is dark and we have strobing eyes.
Labels:
poem
13 December 2010
Gliese
On Sunday we gnawed
blood and chokecherry.
The platelet bore
phosphorus to arsenic
and we ate nightshade.
On a colder heath than
one supposed.
Braised boulders in
wizened eye-corner skin,
metal, threadbare Lem.
And this is an anxiety thing,
too, flash of bright red hair;
talons of it. Then we
macerated galloping reams
of numbers ticking up.
What was ground dust
was not dust, but verdurous.
Cataloguing what chlorophyl
strobed back: "green/
green/green/green/green."
Evenings we foundered.
Having rounded some
inanity corner and
doe-faced the grins down,
feigning ignorance
of one another.
As though we were all
clean-shaven, irony gone too.
"Yes." "My, you have
a special that," "I think
you would really enjoy
this record," or, "track of land."
And it's reciprocal!
blood and chokecherry.
The platelet bore
phosphorus to arsenic
and we ate nightshade.
On a colder heath than
one supposed.
Braised boulders in
wizened eye-corner skin,
metal, threadbare Lem.
And this is an anxiety thing,
too, flash of bright red hair;
talons of it. Then we
macerated galloping reams
of numbers ticking up.
What was ground dust
was not dust, but verdurous.
Cataloguing what chlorophyl
strobed back: "green/
green/green/green/green."
Evenings we foundered.
Having rounded some
inanity corner and
doe-faced the grins down,
feigning ignorance
of one another.
As though we were all
clean-shaven, irony gone too.
"Yes." "My, you have
a special that," "I think
you would really enjoy
this record," or, "track of land."
And it's reciprocal!
Labels:
Gliese Suite,
poem
Earth
The paradigm is
life ended in parts;
no extraneous tree
pulp, increased
purview of machines
(for numerous reasons),
fewer trips
to the theater—
fewer theaters.
Children would say
“You are so old now,”
dividing things up like that.
You came back. Know
what cement set?
Quite flat. With horizontal
scrape marks on it.
This was us.
More dense, if
judging things like that
makes any sense. Blittery
rabbit cooked on speed
and crystal meth,
(That is a blatant attempt...
and all that) rhombus
or a parallelogram;
this was our house.
Transparent, platonic
line segments. Then
lifting the foot over
the bootland to fair
farther foothills and
flat land fractally
explosive with
things that grow.
Designs for cities in the Gulf.
The seagull joke,
neither we
were “aqueous” people.
life ended in parts;
no extraneous tree
pulp, increased
purview of machines
(for numerous reasons),
fewer trips
to the theater—
fewer theaters.
Children would say
“You are so old now,”
dividing things up like that.
You came back. Know
what cement set?
Quite flat. With horizontal
scrape marks on it.
This was us.
More dense, if
judging things like that
makes any sense. Blittery
rabbit cooked on speed
and crystal meth,
(That is a blatant attempt...
and all that) rhombus
or a parallelogram;
this was our house.
Transparent, platonic
line segments. Then
lifting the foot over
the bootland to fair
farther foothills and
flat land fractally
explosive with
things that grow.
Designs for cities in the Gulf.
The seagull joke,
neither we
were “aqueous” people.
Labels:
Gliese Suite,
poem
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