Although I'm not an Imagist, I
only take an image that exists
in concept only.
Which only will respond when
something moves slower, dulls
in color as decelerating;
It is it's changing colour, less-
ening moving that my eyes
detect.
And so these clouded Forms of
notions, are projected there, except
that not
being real(ist) makes them speed-
less. Not being able to go faster,
slower; either.
It is the photographic theater of
something real—A constant repeat-
er, or a lighthouse
shining all around at once, while still not
being real; is real
